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Selasa, 31 Januari 2017

Download Decoded, by Jay-Z

Download Decoded, by Jay-Z

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Decoded, by Jay-Z

Decoded, by Jay-Z


Decoded, by Jay-Z


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Decoded, by Jay-Z

Review

“Compelling . . . provocative, evocative . . . Part autobiography, part lavishly illustrated commentary on the author’s own work, Decoded gives the reader a harrowing portrait of the rough worlds Jay-Z navigated in his youth, while at the same time deconstructing his lyrics.”—Michiko Kakutani, The New York Times“One of a handful of books that just about any hip hop fan should own.”—The New Yorker “Elegantly designed, incisively written . . . an impressive leap by a man who has never been known for small steps.”—Los Angeles Times “A riveting exploration of Jay-Z’s journey . . . So thoroughly engrossing, it reads like a good piece of cultural journalism.”—The Boston Globe “Shawn Carter’s most honest airing of the experiences he drew on to create the mythic figure of Jay-Z . . . The scenes he recounts along the way are fascinating.”—Entertainment Weekly “Hip-hop’s renaissance man drops a classic. . . . Heartfelt, passionate and slick.”—Kirkus Reviews (starred review)

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About the Author

Jay-Z (Shawn Carter) is one of the most successful hip-hop artists and entrepreneurs of all time.

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Product details

Paperback: 352 pages

Publisher: Spiegel & Grau; 1 edition (November 1, 2011)

Language: English

ISBN-10: 0812981154

ISBN-13: 978-0812981155

Product Dimensions:

7.4 x 0.9 x 9.1 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

354 customer reviews

Amazon Best Sellers Rank:

#37,815 in Books (See Top 100 in Books)

I really like what I am reading so far, I’m not finished but so far Jay really breaks a lot of things down about the art of rapping and the music industry. I think the illustrations are decent but I don’t really like the verses pages with the explanation of the word play in small print, I think it’s the small print that turns me off. Otherwise so far the book is great, I recommend it to anyone who likes Jay or just in love with Hip Hop. I also think Jay lets his guard down a lot in this book, talking about growing up in the Marcy Houses in Brooklyn during the birth of Hip Hop, coming of age during the Crack Epidemic and loving Big Daddy Kane in his Heyday. What I’ve learned is that Jay is a good listener and he pays attention to what’s going on around him, he’s not ashamed of his hustling past (which helped him evolve in the rap game and as a business man). Oh man I’m just loving this book so far. As I progress through the book I will add more to this review, stay tuned...

Jay-Z's contemporary rags-to-riches story is a more detailed, thorough, insightful, and powerful story than any kind of fiction you might read in an inspirational genre. This book is terrific reading for artists and entrepreneurs, especially, although anyone who wants to be inspired, as well as anyone with interest in his music, would enjoy it.The book consists of lyrics "decoded," where Jay-Z explains both where the song ideas came from and the way all the lyrics are connected to each other, as well as portions of his real-world story, rising from the Marcy Projects to a best-selling artist competitive with the Beatles in terms of how many #1 albums they've had.In particular interest to me were the chapters regarding his break-out crossover hit, "Hard Knock Life," and how Jay-Z had the realization that "Annie's story was my story." Jay-Z applies this knowledge to building a brand and identity for himself, which led to his pop crossover success on the charts.Those kinds of insights, from a man who self-transformed into a superstar, are crucial for artists, entrepreneurs, and anyone out struggling with personal identity and their own success struggles.I highly recommend this book. If I were a business professor or music teacher, I would make this required reading for students.

I'm not someone who has the patience to sit down and read often.A book has to be really compelling.I may be biased because Jay-Z is my favorite rapper and I do consider him the greatest ever.Furthermore,I find him to be a very interesting person in general.I got half way through the book and stopped because it's hard to focus on a book and plan a wedding simultaneously.So far I'm enjoying it,although some of the dialogue became redundant as for me being that I've seen so many interviews with Hova.That being said,there are some parts that are really fascinating and make me appreciate J as an artist even more.The book really can seperate the true intellectual hip hop head from the person who is a front runner or fan of ringtone rap.Fans of "today's hip-hop" probably won't appreciate it.PPL who connected with Jay's transition from street hustler to corporate hustler will embrace it...especially if you appreciate both aspects of his life.In other words,if you were as impressed with the lyrics in his Grammy Family Freestyle as you were with some of his earlier work (as I am),then you'll love this book.If you're narrow minded and you only care about his hustling days or the materialism associated with hip hop,it'll probably bore you and go over your head.I especially dig the dialouge describing him and a less than impressed reporter regarding his use of Che Guevarra rhetoric and memoribilia.To wrap things up,I don't have the attention span to read as often as I should but this book captivated me as long as any other has.It's a good read and I can't wait to pick it back up once my life returns to normalcy lol.

I re-purchased this ebook after losing access to it over the years of activating too many Kindle reader apps on the span of several different devices. The one reason I had interest in reading this book was simply on the fascination of the wealth of knowledge I remembered reading the first time + to reclaim the dominion of owning the publication once more. Shawn Carter [Jay Z]’s nuance of the type of life that he lived in light + hope to see a difference made in his life through the course of changes in it that life presents was inspirational and always is + has remained integral in my own life’s progression and advancement throughout the years passed.

This is one tale that only one person can tell about Jay-Z - Jay-Z himself. It shows enlightenement and leaves us; the audience to juxtapose it to just education. Priceless life experiences can set you on the right part. This is Hovi's politics, his street life, his mentality, his musical genius and other things you wanted to know about Jay. This is not a literary classic, its Jay-Z story, an impressive rendition of himself by himself. First hand look at some of Jay-Z's lyrics, why he sold drugs at a very young age, how he refused to accept that it cannot be done and proceeded to do it. Maybe Jay-Z's naysayers will see why he is respected by both underground and mainstream rap listeners, this is why, at least if you refused to listen to Jay, at least read this book. Form your own opinion, forget about hearsay. The way he makes use of homonyms kind of explains why it seems Jay can flow on any beat, he cares about the rhyming a lot, but most importantly the delivery of the message in the song. One artist that we wont forget in a hurry is Jay-Z, not just about his music, but about the choices he had to make in life and how he overcame from almost nothing.The only thing i have a problem with; why did you give it all away Jay? lol.

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Jumat, 27 Januari 2017

Free Ebook Secret Brother (Dollanganger), by V. C. Andrews

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Secret Brother (Dollanganger), by V. C. Andrews

About the Author

V.C. Andrews novels have been a bestselling phenomenon since the publication of Flowers in the Attic. The renowned Dollanganger series, includes Petals on the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. The family saga continues with Christopher’s Diary: Secrets of Foxworth, Christopher’s Diary: Echoes of Dollanganger, Secret Brother, and now Beneath the Attic in 2019, and Out of the Attic in 2020, as part of the fortieth anniversary celebration. There are more than seventy V.C. Andrews novels in total, which have sold over 106 million copies worldwide and have been translated into twenty-five foreign languages. Join the conversation about the world of V.C. Andrews at Facebook.com/OfficialVCAndrews.

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Excerpt. © Reprinted by permission. All rights reserved.

Secret Brother 1 Just like when I heard the terrible news about our parents and the news years later about Grandma Arnold, I didn’t cry immediately. Something inside me wouldn’t let me understand what I was being told. The words kept floating away like tiny bubbles caught in a breeze and bursting before I could bring them back. Nevertheless, I knew. Deep inside, where I went to find love and hope, where my best dreams were on shelves waiting to be plucked like books and opened during sleep, a cold, dark realization boiled and threatened to spill over and into every part of me. I fought it back, but it was oozing in everywhere. Despite my effort, I knew I would be soaked in the dark sadness in moments and be unable to deny it. We had retreated to the lobby in silence, Grandpa resting his large right hand over the back of my neck and me clutching his shirt with my left hand. We needed to keep touching each other, comforting each other. We sat on a pair of chairs facing the exam rooms. He held my hand and stared ahead; his face had never been more stone-cold. Somehow all the noise around us seemed to disappear. It was as if I had lost my hearing. We were waiting now to learn about Myra. She was having an X-ray. Would she die, too? Suddenly, my grandfather looked up. The doctor he had first spoken to was out in the hallway again, this time talking to a nurse. Grandpa rose and walked over to him. I couldn’t imagine what he was asking, but whatever he said interested the doctor. Moments later, he was leading my grandfather back toward the exam rooms. I saw them disappear around a turn. Maybe Grandpa was finding out about Myra, I thought. I certainly didn’t move. I didn’t know if I could even stand. My legs were still trembling. I was afraid to look at anyone, even though I could feel people staring at me. Had they heard about Willie? Were they waiting to see me crumple up in uncontrollable sobs? Some looked terrified themselves. For some reason, I began to wonder what my friends were doing at that moment. Were they planning lunch, watching television, talking on the phone and giggling about silly things? What were Willie’s teachers doing? Was anyone else anywhere thinking about him? How tense was the atmosphere around my grandfather’s estate? Was anyone laughing or smiling? Were they all holding their breath, waiting for a phone call? Did someone call the hospital? I looked at a little boy who was holding his mother’s hand and had the thumb of his other hand in his mouth while he bounced against her. Most people avoided looking at one another. A look might bring bad news. Everyone’s eyes appeared shut down, as if they had turned to glass. Finally, my grandfather came back around the corner, obviously having realized he had left me sitting there. He beckoned to me, and I hurried to join him. Maybe what we were told was untrue. Maybe Willie didn’t die after all. “They’re putting a cast on Myra’s left arm. It was broken, and she has three fractured ribs, a few bruises, and a slight concussion. It’ll be a while,” he said. Our concern was no surprise. Myra was part of our family now. Grandpa Arnold and Grandma Arnold’s housekeeper of many, many years, Myra Potter became our nanny the day the terrible news arrived from Italy. She had also been a nanny for my mother and her younger brother, Uncle Bobby. A business associate of my grandpa had recommended Myra, who had been working for a Lord and Lady Willowsby in London. She came to America to work for my grandparents after Lady Willowsby died and Lord Willowsby moved to Cornwall to live with his son and daughter-in-law. Neither Grandpa nor I could imagine the house without Myra. She treated everything in it like her personal possessions and was, according to my grandmother, “more protective of it and your grandfather than I am.” Myra was barely five feet four but had gray-black eyes that seemed to double in size when something annoyed or angered her. She had a habitually stern, lean face on which smiles seemed to bubble up from some hidden place whenever she permitted them. I knew the maids my grandparents had were terrified of her, most not lasting more than six months; the grounds people, the gardeners, the pool man, and anyone who came onto the property to do any work made sure she was happy with what they were doing, even before my grandpa had a look at it. “But what about Willie?” I asked now, hoping to hear a different answer. He shook his head. His face was still ashen gray. When my grandfather was deeply upset about something, he seemed to close up every part of himself through which rage or emotion could escape. The steam built up inside him and made him look like he might explode. The only indication came in the way his hands and lips trembled slightly. Anyone who didn’t know him well would probably not notice or would notice when it was already too late, especially if he was angry. And then, as Grandma Arnold used to say, “Pity the fool who got his engine started!” Grandpa Arnold was always the biggest and strongest man ever in my eyes. He was six feet three and at least two hundred twenty pounds of mostly muscle. He owned one of the country’s biggest trucking companies. He had been a truck driver himself, and because he hated the long days and weeks of separation from his family, he had put together his own company and built it to where it was today. It was even on the stock market now. I had no idea how rich my grandfather was, but to most people who knew us, he seemed to be the richest man in the country. Wherever he went, people practically leaped out of their skin to please him. He put his hand on my shoulder and then brought me into a hug. We stood while nurses and doctors went around us as if we weren’t there, which made it feel more like a dream. “Come on,” he said when he stopped hugging me. He took my hand and led me down the hallway to another room, where a nurse and a doctor were working around a very small boy. Despite the scary-looking equipment and the wires and tubes attached to him, the boy didn’t even whimper. He didn’t cry, and unlike any other child his age, he didn’t call for his mother. He was lying there with his cerulean-blue eyes wide open but looking as glassy and frozen as the eyes of the worried people in the lobby. His pale face seemed to be fading into the milk-white pillow, making his flaxen hair more golden. I thought he looked like a fallen cherub, an angel who had floated onto the hospital bed and was still too stunned to speak. “What happened to him?” I asked, sniffing back my tears. “They say he was poisoned.” “Poisoned?” “With arsenic. They don’t know if it was done deliberately or if he was eating something meant for rats.” I grimaced. I was close to heaving up everything I had eaten all day as it was. I looked up at my grandfather and saw something different in his face. The terror, anger, and horrible sadness that had been there from the moment we had driven off to the hospital suddenly were gone, replaced with this look of awe and interest I had seen in him only occasionally since my parents’ deaths and especially since Grandma Arnold’s death. He always seemed impervious. It was as if he had a new limit to how deeply he would smile or laugh and how tightly he would hold on to the reins of his curiosity, especially about people. He did what he had to do for Willie and me, but I couldn’t help feeling that he was moving about robotically most of the time and that we were very dependent on Myra to care for us. I waited a moment to see what my grandfather wanted to do now. Why were we looking in on this little boy, anyway? How would this make what happened to Willie different? There was nothing that could make it any better. “He was dumped off here,” my grandfather said, his eyes still fixed on the doctor’s and nurse’s actions around the boy. “Dumped?” He looked down at me. “Like the doctor told us when we first arrived, someone brought him to the hospital and left him without giving any names or telling what had happened. They said it all happened so quickly that no one could do anything about it.” “But what does this have to do with Willie and Myra, Grandpa?” I asked. He looked at me but didn’t answer. He just looked back at the boy and nodded as if he heard someone else speaking. “Where is Willie?” I asked, sounding annoyed. Why didn’t my grandfather take us to Willie’s room instead of this little boy’s room? Was he already too terrible to look at, his face distorted by death? I wanted so much to look at him, to touch him. Maybe if he knew I was there beside him, he would come back to life. I still believed in miracles. “They’re taking him to a place in the hospital where he’ll be until the funeral director comes for him,” he said. Now his voice was thinner, his throat closing up. His lips and hands had that tremble again. The word “funeral” brought an intense rush of heat to my face. I felt like a blowup of myself losing air quickly. My body seemed to be sinking in on me, collapsing. “No,” I said, very softly at first, so softly that Grandpa Arnold didn’t hear it. It was all taking a firmer grip on me. “No,” I repeated, much louder. He turned and looked down at me. He was still holding my hand. “No!” I screamed, squatting and pounding my hands against the sides of my body. “No! Willie can’t be dead! No!” The nurse and the doctor stopped working on the little boy and looked at us. Grandpa reached down and lifted me up. I realized immediately how silly that looked, a sixteen-year-old girl picked up like a child half her age. To him, it was just the natural thing to do, I guess. For a moment, that took my breath away. “Shh,” Grandpa said, stroking my hair. He lowered me and then he turned with me, and we headed back to the lobby to wait for more news about Myra. I slumped over in the chair, my head resting against my grandfather’s shoulder. My emotional outburst had drained me of so much energy that I didn’t think I’d be able to get up on my own when the nurse came to tell us Myra was ready and we could take her home. I felt Grandpa’s strong arm around my waist. He literally lifted me to my feet. Then he took my hand. The nurse, a woman who reminded me a little of my mother, put her hand on my shoulder and stroked my hair. “I’m so sorry about your brother,” she said. “You have to be strong for everyone now,” she added. Strong for everyone? What language was she speaking? How could I be strong for anyone now? Tears were frozen in my eyes. I thought I probably looked as comatose as that little boy with the flaxen hair. We walked back toward the exam rooms, where the nurse led us to another exit. Myra was in a wheelchair. An attendant was waiting to wheel her out to Grandpa’s car. “She’s under some pain sedation,” the nurse told Grandpa. Myra looked terrible. Her eyes were mostly closed, there was a bad bruise on her left cheekbone, and her mouth hung open as if her jaw had been broken, too. The cast looked twice as big as her arm. Looking like this, a way I had never seen her, she seemed much older to me and quite small. I wondered if she knew about Willie. As the attendant wheeled her out with the nurse accompanying them, I tugged on my grandfather’s hand. “Does she know about Willie?” I asked. “Not yet. Wait,” he said. He rushed forward to help get her into the backseat. The nurse gave my grandfather a prescription for Myra’s pain medication. He took it and then nodded for me to get into the backseat with her. “Don’t let her fall over or anything, Clara Sue,” he said. “She’s very unsteady.” Myra groaned and opened her eyes more. “Where’s Willie?” she asked me. I didn’t have to say anything. My tears did all the talking. She uttered a horrible moan, and I put my arm around her and buried my forehead against her shoulder. Grandpa drove off silently. I lifted my head quickly and looked back at the hospital. We’re leaving Willie, I thought. We’re leaving Willie. Myra cried softly in my arms as we rode back to Grandpa’s estate. Everyone came out when we drove through the opened gate. Jimmy Wilson practically lunged at the car, and when Myra was helped out, he lifted her in his arms like a baby to carry her into the house. I could see that everyone had heard the news and had been crying. The person who would take it almost worse than me was our cook, Faith Richards. No one spoiled or loved Willie more than she did. Myra was becoming more alert. “Put me down. I can walk!” she cried. “Don’t be ridiculous.” Jimmy paused in the doorway and let her down gently. She glared at him, trying to be angry about it, but anyone could see she was putting it on. “Got your bed all ready, Myra,” My Faith said. My grandmother used to refer to her as “My Faith,” and Willie and I did, too. “I don’t need to go to bed.” “You need to go to bed and rest,” Grandpa said sternly. “No back talk,” he added. It was the first thing he had said since we left the hospital. Myra took one look at him and started to head to her room, which was next to My Faith’s at the rear of the estate. Then she paused and looked at me. I knew she didn’t want to be alone, and neither did I. I hurried to her side, and we walked through the wide hallway, past the kitchen and into the corridor that led to her and My Faith’s rooms, all the while not looking at anyone. I was afraid that if I looked at any of them, I would burst into hysterical sobs. I was in that place between a nightmare and just waking up, this time fighting against waking up but also pushing away the nightmare. How could all of this be happening to us? How could any of it be? We lived in Prescott, Virginia, a community thirty-five miles northeast of Charlottesville that seemed to have been created for millionaires. If you were a resident, it was easy to believe you lived in a protective bubble, which made any misfortune happening to you or your neighbors seem impossible to imagine and even more impossible to accept. “Fires don’t kill rich people, you know, love,” I heard Myra tell My Faith one day. “Rich people don’t go to jail. Rich people always get saved in the best hospitals by the most expensive and brilliant doctors. Maybe rich people go to a higher class of heaven when they die, and they’re always supposed to die in their sleep without pain, don’t you know. That’s how Lady Willowsby died. She closed her eyes, began dreaming of biscuits and tea, and never woke up.” Myra concluded, “That’s in the English Constitution, passed in the House of Lords.” “Ain’t that the truth, I bet,” My Faith said. They both laughed about it. I was always intrigued by how easily My Faith could get Myra to laugh. Except for Grandma Arnold and Willie, she was the only one who could. It didn’t surprise me that I recalled that conversation so vividly at this moment. I had heard this before my parents died, and I believed we were all so special that nothing bad would ever happen to us. Everything seemed to tell us so. Before our parents’ fatal boat accident, whenever Willie and I visited our grandparents, we went to bed soaking in security and comfort. New toys and bedding with images of our favorite cartoon characters were always in the immaculately kept rooms reserved for us. There were children’s movie characters on the wallpaper. There were dressers and mirrors so shiny and clean that they looked just bought, carpets as soft as marshmallow, and curtains on the windows that looked like the curtains that opened and closed on theater stages. When Myra opened our curtains in the morning, we half-expected to hear music and see a puppet show. Willie and I imagined we were sleeping in a castle surrounded by high walls and moats, a place that evil creatures and nightmares could only glance at from the outside and then move on from, never daring to enter and certainly never daring to touch us while we were here. Maybe it was all my doing. I wove stories of knights and dragons, always ending with us being protected. It was important to me to be sure my little brother was safe and unafraid, especially after our parents died. But it was easy to create such a fairy-tale view of the world when you lived in Prescott. Almost every house was a custom-built estate with a minimum of five acres, walled in with elaborate stonework, tall hedges, or high scrolled gates. When we drove by one, I would tell Willie it belonged to this prince or that princess. Some estates had small ponds on the property, and all had foliage and fountains, flowers and bushes designed by well-known landscape artists. In late spring, there was a competition to determine who had the most beautiful grounds, and the prize was awarded at the public park. People dressed up as if they were going to the Kentucky Derby, and there were musicians and singers, and a few dignitaries made speeches that Myra said were so full of soap that if we looked closely, we’d see bubbles coming out of their mouths. It helped keep us interested. Willie loved attending, even when he was barely three. There were balloons and ice cream, and circulating among the attendees were magicians, jugglers, and clowns. Myra said it was Prescott’s version of Covent Garden in London. People came from everywhere, even those who lived outside of Prescott. There was always an impressive trophy for the winner. Grandpa had won twice in the last seven years. We did have the most impressive estate. Because of the restrictive zoning, there were no apartment buildings in Prescott, no middle-class people, and especially no low-income people sleeping here unless they were in-house employees. All the residents were influential business and political people who had, through those zoning ordinances, made it almost impossible for anyone of more moderate means to build a home and settle in this small community. They were also able to keep all fast-food restaurants out. The only businesses approved within Prescott’s borders were convenience stores attached to gas stations. The restaurants in Prescott that “didn’t raise the king’s eyebrows,” as Myra put it—and there were only six—were all gourmet places with chefs who graduated from prestigious culinary institutes. Some Prescott residents were investors in these restaurants. Rich people and people splurging on dinners for special occasions came from miles away to the restaurants in Prescott. All of them were in beautiful buildings. The moment you walked into one, you knew you were going to spend a lot of money. They all had immaculately dressed waiters, waitresses, and busboys and maître d’s who knew most of the customers by name. What wasn’t perfect in Prescott? However, I had heard a joke about Prescott that a newspaper reporter told my grandpa at the landscape competition. The reporter joked that the nondenominational cemetery should be entered in the contest, too, because it truly was the most beautiful property within its boundaries. “You do more for the dead here than you do for the living, Mr. Arnold,” he said, “and you don’t get paid for it until you join them.” He wasn’t wrong. The burial sites and the monuments were as carefully designed and as full of restrictions as the houses of the living. Myra said that the trees and the landscaping, the fountains, and the chapel looked like they were all part of a property owned by the British royals or something: “You’d think you had entered Buckingham Palace.” Graves were dug only at night so it appeared as if the ground simply had opened up with perfect proportions to gently accept the newly departed the following day. I even heard Myra tell My Faith that you practically needed an invitation from the Queen of England to get in. But, as my grandpa and I now too painfully understood, being rich, even as rich as we were, really didn’t bring us immunity from tragedy. Everyone knew that was true, but here in Prescott, there was an attempt to get back at death by creating a cemetery so elaborate and attractive that a popular joke outsiders supposedly cracked was “Prescott residents are dying to get in there.” Well, Willie hadn’t been, I thought, and neither were my parents or Grandma Arnold. My Faith and I sat with Myra until she fell asleep, and then My Faith rose quickly and said she had better get into the kitchen and start to prepare food. “I’m not hungry. I’ll never eat again,” I said. She smiled and stroked my hair. “You will, darlin’,” she said. “But we’ll need food ’cause all your grandpa’s friends will be comin’ to pay their respects as soon as . . . as they know,” she said, and walked off, mumbling about how quickly bad news can travel. I sat there. Of course, she was right. I remembered how it had been after the news about my parents spread and especially after Grandma Arnold died. Our house, a Greek Revival mansion, had already been indelibly stained with the weight of those tragedies. Willie’s death was just going to make it all darker, heavier. Already, to me, there were shadows now where once there had never been. I sat fixed and afraid to leave Myra’s side, because I was sure the vast rooms would seem terribly empty to me, despite the elaborate and expensive furniture and large classical paintings on the walls. From now on, voices would always echo, footsteps would hang longer in the air, and in a few hours, people would be whispering. Maybe they would never stop whispering. Myra moaned in her sleep. I looked at her, afraid to touch her because she had been so broken. Maybe she hurt all over now. I certainly did. I rose slowly, confused about where I should go and what I should do. I really was afraid of the house, afraid of how much smaller I would feel in it now that Willie was no longer to be with me. No matter how annoying he could be sometimes or how demanding of attention, he was still like the other half of me. I left Myra’s room and walked slowly back to the kitchen to look in on My Faith. She and one of the maids were working quickly to prepare dishes, sobbing and dabbing their eyes as they worked. They paused when they saw me, but I walked away. I didn’t want to be any part of that or even admit to myself that it was going on. I thought about calling Lila, but just the idea of doing something I would normally do sickened me. The world should have stopped. Clocks shouldn’t be ticking. No one should be working or playing. Certainly, no one should be laughing, anywhere. I walked past the living room and paused at the doorway of Grandpa’s office. He was behind his desk, his big, strong hands pressed against his temples, and he was leaning over and staring down at what I knew was his favorite picture of my mother. I couldn’t speak. I just stood there. Finally, he looked up and realized I was there. “How’s Myra?” he asked. “She’s asleep.” “Good. I had Jimmy go for her medicine.” He sat back. “I called your other grandmother,” he said. He always called my father’s mother my “other” grandmother. He never used her name, which was my name, Sanders. She was Patricia Sanders. “She’ll be coming with her sister Sally to the funeral. Seems that’s the only time we ever see her, eh? Funerals,” he said bitterly. “Death has had a feast here.” He had his hands clenched into fists. I didn’t know what to say. He looked like he would spring up out of his chair and start swinging at anything and everything. I supposed the expression on my face softened him. He unclenched his fists and stood. “My secretary, Mrs. Mallen, is on her way here. She’ll oversee what has to be done. Your uncle Bobby is on his way, too,” he said, but not with much enthusiasm. I looked up with more interest. Both Willie and I loved Uncle Bobby, but Uncle Bobby and Grandpa had never really gotten along as well as a father and a son should, and I don’t think it was only because Uncle Bobby didn’t want anything to do with the business Grandpa had created. In looks, he resembled my grandmother more than my grandfather. He was tall and lean, with much more diminutive facial features. He had my grandmother’s sea-blue eyes and her more feminine high cheekbones. My grandfather was burly, muscular, someone who would be cast faster as a bartender or a bouncer than as the owner of a multimillion-dollar business, often wearing a suit and tie. From what I knew, Uncle Bobby was always more interested in music and dramatics than in running a trucking company. His goal was to become a Broadway choreographer. Currently, he was on the road with a new production, a revival of Anything Goes. My grandfather had attended some of his performances in high school but never any in college and only went to a Broadway show my uncle was in because the whole family went. Grandma Arnold and my mother followed Uncle Bobby’s career but were careful not to talk about it too much in front of Grandpa. Most of the time, he would simply get up and walk out of the room. “You’d better go upstairs and rest a bit, Clara Sue,” he said now, and started around his desk. “I’ll look in on you later when I return.” “Where are you going, Grandpa?” He paused. I could see he was debating what to say. “I have to go to the funeral parlor,” he began. “Then I have to go back to the hospital.” “The hospital? Why, Grandpa? Are you going to see Willie? I want to go, too.” “I’m not going to see Willie,” he said. “There’s nothing more I can do for Willie.” “Then why are you going to the hospital? To pay a bill?” He almost smiled. “No,” he said. He pressed his lips together for a moment like someone who was trying to keep words locked in, and then he said the strangest thing. “Your grandmother wants me to go back.” “What?” “For that other little boy,” he said. He had the strangest expression on his face, stranger than I had ever seen. “She was with me the whole time. She comforted me about Willie, but she practically whispered in my ear when I looked in at that other little boy.” “The poisoned boy?” “Yes, the poisoned boy.” “Why?” “No one can be more traumatized than that little boy.” I could feel my eyelids narrow. Rage that had been subdued under wave after wave of heavier grief was rising up. Grandma Arnold used to say that Willie and I were the most traumatized that children could be because we had lost both our parents in a terrible accident. “He has no one, Clara Sue,” Grandpa said, seeing the confusion and anger in my face. “You remember how your grandmother felt about grief-stricken children. There’s no one here for him—or anywhere, it seems. I’m going to make sure he gets the best medical treatment.” I knew in my heart of hearts that this act of kindness was something to be proud of my grandfather for doing, but it just didn’t seem like the right time to be doing anything for anyone else. Everyone should be doing things for us now. Suddenly, I hated this strange little boy. Why would anyone blame me? I wanted to devote all my energy and strength, and I wanted Grandpa to devote all of his, to mourning my brother. I didn’t want anyone else stepping onto his stage, his final place in our lives. Willie deserved every moment of our attention. Worrying about someone else’s child, especially that of someone who didn’t care about his or her own child, denied my brother what he deserved. But I could see that Grandpa was determined to do this—and all because he believed my grandmother had appeared like a ghost and whispered in his ear? Where did this come from? My grandfather wasn’t a particularly spiritual man. He wasn’t one to believe in miracles of any kind. It was my grandma Lucy who had persuaded him to go to church occasionally, and after she died, he wouldn’t go to any church except for funerals and weddings. If anything, the tragedies in our lives had made him more cynical. He was always impatient with the minister’s “stock talk,” as he called it. “They don’t know any more than we do about why this world is the way it is,” he often mumbled, maybe more out of pain than anger. I shook my head. Tears began to well up in my eyes. I thought I might start screaming again. Suddenly, he put his hands on my shoulders and looked firmly into my tearful eyes. Then he took my right hand firmly into his left hand. He was gripping so tightly that he was on the verge of hurting me, but I was afraid to move. “Do you realize, Clara Sue,” Grandpa whispered, “that the same hour your brother passed, this little boy was brought to the emergency room to fight for his life? That means something.” He repeated it in a whisper, looking past me as if he was talking about it with my dead grandmother. “That means something.” It would be a long time before it would mean anything remotely close to what he was suggesting to me. The truth be told . . . I never wanted it to.

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Product details

Series: Dollanganger

Mass Market Paperback: 400 pages

Publisher: Pocket Books; Reissue edition (May 26, 2015)

Language: English

ISBN-10: 1476792356

ISBN-13: 978-1476792354

Product Dimensions:

4.1 x 0.8 x 6.8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

208 customer reviews

Amazon Best Sellers Rank:

#197,633 in Books (See Top 100 in Books)

I'm VERY disappointed in this book. VERY. I prefer to get my money back I'm that disgusted. Like someone else said, "why resurrect Cory Dollanger just to tell the story of Clara Sue Sanders?" I would have been more impressed had they saw Cathy on tv dancing and news stories of the rumors of children in the attic. Or the grandpa finding real info but decided not to pursue because the other three had left so no one ever knew the other was alive.like c'mon! Something more than a whiny, excuse my language, a whiny bitch. I can't even express my anger as much as I'd like in writing. As for anyone reading this, if you're truly interested, read it, but don't expect it to have anything about Cory. Wow, he's alive. That's all you'll get from this book. NOT A TRUE VC ANDREWS BOOK. Just a damned story using a few of her characters.

there are a gazillion things they couldDo to make this a better book. I agree with everyone else, nobody would have ever take the chance of taking Cory to the hospital for fear that he wouldStart talking and blab about the kids. But since the author started with that mistake, then the least they could have done was make it more about Cory. Put it in his perspective he should never reveal anything to grandpa or anyone. but even then, with as close as him and Carrie are, he never would have given up trying to find her. Maybe as a kid, but by the time he was an older teen, he would start digging and looking for happened to his siblings. There were so many loose ends and and everything contradicted everything we already read. Not to mention, coming from a person who used to watch soap operas everyday, there should have been a better explanation For That skeleton Cathy found in one of the prior books, if it wasn t really Cory, and find a more creative way to bring him back alive. everything was too convenient. None of it lines up with what we already know about anything from the original series. And the author needs to resign as a ghost writer for V.c. Andrews because he doesn't deserve that title after this crap! Not to mention this book was incredibly boring!

This is so NOT what I expected from this series. Write another and get it right this time....without so much teenage sniveling.

I was constantly turning pages waiting for more,,,more just wasn't there. I am displeased with the ending and searched for the fourth book assuming it must be there for me to read and it was not. The series started out strong and fizzled out quickly. I think I'll have to write my own ending. Disappointed

Let me start by saying that I am a huge fan of the Flowers in the Attic series. I was overly thrilled when I finished reading the Diary books and couldn't wait for this book to come out.This is not what I was waiting for!Here is the thing, the book tells some of what happened to Cory after he was "taken to the hospital" in Flowers in the Attic...but it is told through Clara Sue's eyes. Her prejudices, anger, hurt, and life color the entire book and give us just the slightest view into Cory's life. I kept waiting for anything to be from his perspective.I could deal with all this if I had any answers about Cory. I see no indication that the story will continue to tell Cory's story through teenage and adult years. This is the story I was wanting. I want to know how William Anderson became the man he is, how he met his wife, what his child is like, how the experience in the attic affected his life.I have to be honest, since VC Andrews passed away I haven't read more than a couple of books from the ghost writer. From the beginning I didn't feel the same passion that I felt when reading books that were completely written by her. Being that I was so into the FITA books when the Christopher's Diary books came out I couldn't resist. After reading them I was happy and couldn't wait to read Secret Brother. I wish I had saved my money.

This was more about the girl then the lost brother very very disappointed waste of money

I think V.C. Andrews would be very upset that this book has her name on it. I loved her books, but this one is not even close to her writings. All the other reviews sum up my thoughts. It is redundant chapter after chapter. I will not be buying anymore books from this author.

This could have been such a great story had they focused on " the poisoned boy" and let him tell his tale. Instead, we are treated to a pointless book about a spoiled girl and her uninteresting life. Too many of us waited over 35 years for this book. I have read ( with the exception of about five) EVERY book our ghost writer has written for Ms. Andrews since her death. This will be my last.

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Selasa, 24 Januari 2017

PDF Download A Two-Hour Koran (A Taste of Islam)

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A Two-Hour Koran (A Taste of Islam)

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A Two-Hour Koran (A Taste of Islam)

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Audible Audiobook

Listening Length: 3 hours and 37 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: CSPI, LLC

Audible.com Release Date: August 13, 2018

Language: English, English

ASIN: B07G8KQWK6

Amazon Best Sellers Rank:

Doctor Warner does not need to spell out what you will find in the Koran; neither does he. He takes very good care to let the Koran tell you all about itself by itself. The verses are carefully arranged so that it becomes clear how its content shaped political islam and how political islam shaped its content. The two are so strongly intertwined that there is no discernible difference. Indeed, for all practical purposes the two are one and the same thing.As an added bonus, the narrative clearly shows how the verses helped the prophet Mohammed fulfill his short-term goals, such as goading his followers to the battlefield, justifying the stealing of someone else's wife, intimidating opponents into submitting to his will, having multiple wives, imposing his will on them etc. One might almost start to believe that the Koran was written for the purpose of serving Mohammed's own agenda.Clear into mind comes the passage where Mohammed's secretary was put on a deathlist for being an apostate to the religion. His reason for doing so; on writing down the revelations of the prophet, the prophet regularly accepted the secretary's improvements to his own texts. This caused the secretary to lose faith in the true nature of islam. Surely the Koran was not all made up, was it?Overall, a quick and revealing introduction-level work into the Koran. Strongly recommended, especially for those islam apologists who so seldom show any real knowledge of the work at the center of the ideology.

I read this "Cliff Notes" version of the Koran, then I reread it and underlined significant passages. My thought, since 9/11, is that main stream conventional wisdom didn't really tell us a true picture of Islam. What did we all learn in College about the Koran? Academia has told us the Koran is just like the Bible. Educated adults that I have encountered have said the same thing for the last forty years. There is an overlap, but to say the two books are just alike is poor scholarship. The story of Moses is mentioned 39 times in the Koran. I find it particularly instructive that the Koran's telling of the role of Jesus. " The Messiah, Jesus, the son of Mary is only Allah's messenger". Therefore the role of Jesus, according to the Koran, is to announce the coming of Mohammed in the 7th century. "Far be it from Allah to have a son." These means that Christians, according to the Koran, have their scripture in error. In the Koran there is one set of rules for the Muslim believer and a different set of rules for the unbeliever. Therefore there is no "Golden Rule" in Islam. I have three books by the premier scholar of the middle east, Bernard Lewis. The writings of Bernard Lewis are a trusted source for people of the middle east. He provides good information, but in a way that is very sympathetic to the Muslim community. Overall it seems the facts of Islam that Academia has presented to us are "sugar coated." The author. Bill Warner, identifies these Academics as apologists. I think Bill is right on the money.

The material is very good and well written. There is a fair amount of overlap with other books by the same author which I have read, and thus not too much info is new. If you have never read any of the books by the author, this would be a good introduction.

Dr. Warner's makes the hardest part of Islam to understand easy.If you want college level theology classes, read all of Dr. Warner's books and watch his videos on YouTube. I learned more about Islam or free (or very cheap) from him than I did from a $32,000 a year religious school. He changed my mind - that rarely happens. Like him, I've yet to find anyone who can disprove his facts or logic, yet many still reject his conclusions. It is sad to see ideology triumph over academics.I appreciate that his presentation is both historical and Humanist.

This book simplified the Koran. Islam is overwhelming our multi cultural society but I couldn't understand why until I read this book. It also made it crystal clear to me that it is a faith perfect for hooligans and marauders derived from Judaism, Christianity and Arabic values, used to confuse the vulnerable and reward tyrants. The most eye opening thing to me was Mohammed himself, an anti-Christ if there ever was one.

Easy to read but not simplistic. This book will give you the basics of Islam's support of slavery and its hand in slavery since its inception. Everyone needs to have concise accurate info on Islam to understand world, national and most likely local events to evaluate correctly what you are hearing.You need to understand the Quran has two parts and it still incomplete for Islamic doctrinal guidance.

This is an objective book on how to read the Koran. I read the Koran last year. Then I found this helpful booklet as a guide to re-read the Koran (which is organized by chapter length). This book discusses the smattering of a few stories scrambled from the Torah, Prophets mentioned in the Old Testament, (remember this timeframe in within the 700s a.d.) it mentions people in the New Testament, and also teachings in the Persian Zoroasterism. This is a good reference should you wish to know about how Mohammed conquered other tribes, including Arabs who differed, subjugated other peoples, Jews and Christians, took their wealth, accession used based upon Ezekiel and Jesus Christ. Not necessary as some claim, to be read in Arabic to be understood from a pure learning perspective rather than worship - after all we laymen don't use Hebrew to read the Old Testament, or Greek to read the New Testament. To understand how Islam treats women and Kafirs, this is an excellent booklet. Be sure to check out: [...] from Bill Warner's commentaries and other books available in this series.

I think of myself as a slow reader. I got this done in just over 2 hours. I have passed this to a few others to read. We all thought the same thing..."wow". Good job Mr Warner.

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Jumat, 13 Januari 2017

PDF Download Diamond Painting Log Book: Track Your Diamond-Crystal Art Projects, 120 Pages, 6x9 inches, by Diamond Dot Notebooks

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Diamond Painting Log Book: Track Your Diamond-Crystal Art Projects, 120 Pages, 6x9 inches, by Diamond Dot Notebooks

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Paperback: 120 pages

Publisher: CreateSpace Independent Publishing Platform (August 24, 2018)

Language: English

ISBN-10: 1726048993

ISBN-13: 978-1726048996

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6 x 0.3 x 9 inches

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