Get Free Ebook , by Jan Swafford
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, by Jan Swafford
Get Free Ebook , by Jan Swafford
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Product details
File Size: 34973 KB
Print Length: 1107 pages
Publisher: Houghton Mifflin Harcourt (August 5, 2014)
Publication Date: August 5, 2014
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00E78IB3E
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I became an admirer of Jan Swafford through reading his biographies of Johannes Brahms and Charles Ives. My admiration has increased with this new biography, "Beethoven: Anguish and Triumph" (2014). Swafford offers much to think about in understanding Beethoven.Swafford observes that even during his lifetime, Beethoven was becoming a mythological, romanticized figure rather than a living human being. His stated aim is to present the facts of Beethoven's life without the myth. Accordingly, the book describes a Beethoven who was a great artist but who did not know how to live in the many aspects of life outside of music. His Beethoven is solipsistic, angry, self-pitying, and petty. He is frequently taken as mad. He falls in love with unattainable women and, to his sorrow, is never able to form a lasting relationship. He quarrels bitterly with most of his patrons and friends. He spends much of his late years in a custody battle over his nephew, Karl, which nearly ruins the boy. Much of this story will be familiar to those who have read about Beethoven. Swafford may exaggerate the extent to which Beethoven has been put on a pedestal in an anti-heroic, skeptical modern age. Swafford's biography includes a great deal of focus on Beethoven's early years in Bonn. In particular, he emphasizes Beethoven's early exposure to the German Aufklarung from his teacher Neefe and from the Freemasonry movement and its offshoots. Swafford shows how this influence stayed with Beethoven.Swafford portrays Beethoven as a composer who deepened and expanded musical trends implicit in the works of Haydn and Mozart among others rather than as a revolutionary who overthrew the past. As the book proceeds, Swafford emphasizes the romantic character of Beethoven's music in the latter works. He offers fresh insights into the familiar three-period division of Beethoven's music - the first in which Beethoven was seeking his own path, the second or "new path" dominated by "heroic" music and the search for triumph over adversity in a political or individual way, and the third "poetic" path which became introspective, wandering, and spiritual.Swafford combines his treatment of Beethoven's life with insightful detailed treatments of many of his major works. His discussions include some technical musical analysis but readers without a musical background will still be able to learn a great deal from them. He devotes a lengthy chapter in the middle of the book to an analysis of the "Eroica" Symphony. He offers a lengthy analysis late in the book of the "Missa Solemnis", a difficult work which Swafford finds is a summit of Beethoven's art. Swafford thinks highly of the "Pastoral" Symphony, a work which lovers of Beethoven sometimes downplay. He sees the 32 piano sonatas and 16 string quartets as works written throughout Beethoven's life, each with its own individual character. Those who play Beethoven's sonatas or chamber works will learn a great deal from Swafford's discussions of the music.Swafford has written a lengthy, thoughtful biography with many passages that invite thinking about and lingering over. As I read, I wanted to pause and rehear music of Beethoven that I have not heard for some time, including the quartets, the Missa Soleminis and its predecessor C major mass, the violin sonatas, cello sonatas, and the string quintet, op. 29. The book also made me want to return to the piano to struggle again with learning some of the piano sonatas. Just as Beethoven's music has an immediacy while looking towards both the past and the future, Swafford's book helped me understand Beethoven as a person to be loved in youth, to be understood better as an adult, and to be inspired by in old age.Robin Friedman
A remarkable book written by an obviously brilliant author who understands biography and music. I spent 10 months savoring this story of the great Beethoven's life while listening to his pieces along the way (bought a 60 CD compilation of his works). Frankly, I'm in awe of the depth of Swafford's research and his ability to pull innumerable facts together and tell them in a compelling story. I've read several hundred biographies. This is one of the best.
I'm going to say straight up, without any reservations, that it must have sucked to be Beethoven. We all know about his deafness and anger issues, but I was not prepared for the emotional rollercoaster this book took me on. With the myriad problems he had, it's nothing short of astounding how productive he was in his composing, et al. Of course, like the biographies I've been reading recently, there is plenty of musical analysis in between the life narrative and excerpts from correspondence, etc. I thought it was all rather sound, supplemented by plenty of musical examples, and well-integrated into the book as a whole. For the first few chapters, there was a tendency to meander as the time period was set up, but things flowed better when Swafford got to the meat of the story. I'm sure there are other equally good biographies of Beethoven (I've got two more lined up already), but this one would probably be sufficient for someone who is just dabbling instead of doing serious research. Because of the musical discussion, I will say that this book will probably be more useful to the musically inclined. All around, it's a great book that practically had me in tears by the final chapter. Highly recommended.
A book of over 1,000 pages does require a commitment, but this book is certainly worth it. I actually had to put it aside for a while after originally purchasing it because I felt it would be helpful to listen to the music in conjunction with reading Swafford's explication of it. I needed to be in a certain frame of mind for that approach. The biography is excellent because it unites the life and personality of Beethoven the man with insight into his music, his motivations, and the nature of his genius all within the context of his times. I thought it was a broad but relevantly detailed biography which gave me a complete picture through the eyes and ears of Jan Swafford. I loved it.
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