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Senin, 21 Oktober 2013

PDF Download Survive! Inside the Human Body, Vol. 2: The Circulatory System, by Hyun-Dong Han

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Survive! Inside the Human Body, Vol. 2: The Circulatory System, by Hyun-Dong Han

Survive! Inside the Human Body, Vol. 2: The Circulatory System, by Hyun-Dong Han


Survive! Inside the Human Body, Vol. 2: The Circulatory System, by Hyun-Dong Han


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Amazon.com Review

From the Inside Cover Have you ever wondered: How your heartbeat keeps a steady pace? Why your blood forms a scab after you get a cut or scrape? How your body defends itself against bacteria and other intruders? How children inherit their blood types from their parents? How your muscles and brain get the oxygen and nutrients they need to survive? How the body filters out toxins in food before they reach your bloodstream?

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Review

"From volcanic burps to colonic bacteria, this comic-book ride through the human digestive system is a delirious joy." --Nature "If you've got kids that are always curious and looking to learn new things, these are three gems that absolutely must be on your bookshelf." --GeekDad "Outstanding. Fast-paced, light-hearted, and fun. It's all about the discovery and adventure!" --Confessions of a Science Librarian "The science is detailed and accurate and presents the workings of the the digestive, circulatory and nervous systems in a way likely to appeal to young minds." --COSMOS Magazine

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Product details

Age Range: 7 - 18 years

Grade Level: 2 - 6

Series: Survive! Inside the Human Body (Book 2)

Paperback: 180 pages

Publisher: No Starch Press; 1 edition (October 4, 2013)

Language: English

ISBN-10: 1593274726

ISBN-13: 978-1593274726

Product Dimensions:

7.2 x 0.5 x 9.6 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#184,238 in Books (See Top 100 in Books)

Amazing !! Thank you!!

My grandson, aged 10, has one volume of this series and I bought him the other 2. He was delighted. He is very visual and loves the illustrations

Informative and helpful. Daughter who is interested in learning about the human body found it funny and interesting.

My kids loved this book series! We would certainly buy more if they made more of these kinds of books. Great fun while kids are learning.

kids loved it and are learning

My 7 yr old can't stop reading these!!! We just ordered the third in the series. He is really enjoying these books and learning so much! Highly recommend!

My 11 year old enjoyed this book. He had me buy them all

The continuation from the previous one.

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Kamis, 17 Oktober 2013

Ebook John Cassavetes: Interviews (Conversations with Filmmakers Series), by Gabriella Oldham

Ebook John Cassavetes: Interviews (Conversations with Filmmakers Series), by Gabriella Oldham

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John Cassavetes: Interviews (Conversations with Filmmakers Series), by Gabriella Oldham

John Cassavetes: Interviews (Conversations with Filmmakers Series), by Gabriella Oldham


John Cassavetes: Interviews (Conversations with Filmmakers Series), by Gabriella Oldham


Ebook John Cassavetes: Interviews (Conversations with Filmmakers Series), by Gabriella Oldham

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John Cassavetes: Interviews (Conversations with Filmmakers Series), by Gabriella Oldham

Review

"Oldham . . . identifies the essences of this pioneer: an actor's director 'who felt compelled to let his actors unleash their potentials, shape their own cinematic realities, and play them out naturally on the screen'; . . . a specialist 'in men-women relationships and their emotional dysfunctions'; . . . and always an artist 'with almost child-like admissions of a belief in humanity's better self ' and 'a surprising naiveté he transferred to his characters, both male and female.'"--Kurt Brokaw, The Independent"A particularly important book for film courses, either as a primary text to provide a definition of how a consummate independent filmmaker feels and works or as a supporting text in a course on filmmaking and critical studies."-Lowell Harris, adjunct professor of film studies, University of Tampa

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About the Author

Gabriella Oldham, New York, New York, is a writer and educator with a passion for film. Her books include First Cut: Conversations with Film Editors; First Cut 2: More Conversations with Film Editors; Keaton's Silent Shorts: Beyond the Laughter; and Blake Edwards: Interviews, published by University Press of Mississippi.

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Product details

Series: Conversations with Filmmakers Series

Paperback: 196 pages

Publisher: University Press of Mississippi; Reprint edition (July 16, 2018)

Language: English

ISBN-10: 149681827X

ISBN-13: 978-1496818270

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 9.8 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#750,120 in Books (See Top 100 in Books)

Fantastic collection of interviews!

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Kamis, 10 Oktober 2013

Download , by Skye Darrel

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Product details

File Size: 1590 KB

Print Length: 144 pages

Publication Date: December 6, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07L6LJRL3

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Selasa, 08 Oktober 2013

Free Download , by Don Miguel Ruiz

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Product details

File Size: 984 KB

Print Length: 195 pages

Page Numbers Source ISBN: 0008305048

Publisher: HarperOne (June 26, 2018)

Publication Date: June 26, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B072576FQR

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Do you remember the Four Agreements?Be impeccable with your word.Don't take anything personally.Don't make assumptions.Always do your best.How have you been doing with them? They make a lot of sense. They also simplify your responsibilities. With regard to the second, I read somewhere, "What you think of me is none of my business!" What wisdom! Is it that the four agreements are not enough, or is it that they describe perfectly one aspect of life? I ask because for one, I learned that there has arisen a "fifth agreement," and also because now we have The Three Questions! The fifth agreement is The Power of Doubt: Be skeptical, but learn to listen. The three questions areWho am I?What is real?How do I express love? So now we need to think about it a bit. What service to us do the five agreements provide and how does that differ from the three questions. A total of 7 phrases and we've got life mastered. What is going on here? The agreements suggest a way to behave in the world that eliminates the false and the unreal, and leaves you with the true, real task... being yourself, true to yourself, and sharing it widely. Toltec or Tolstoy, whatever the source, good advice. Now what about the three questions--we get into much heavier dimension of reality. To ask "who am I?" is a big question. What part of yourself do you identify with? Your body, your consciousness, your behavior, your reputation? It's a good question.One of the special features of Ruiz' approach is the use of negation. He says that you'll come to know what is your real self when you learn what is false--what is the real you comes from learning what is not real. Are we here approaching closely to the Hindu idea of pure consciousness as the only reality, the rest Maya? He writes,"Your body is real, but me is fictional. And yet me is running the show." That single sentence expresses well the underlying philosophy and therapeutic approach to the goal (as stated in the sub-title): How to discover and master the power within you. "Master." "Power." Do these words, and the ideas they generate, seem to belong more to the yang, or masculine world, than to the yin, or feminine world? Might we also consider, "Empathize with the Spirit Within"? Does the surfer master the wave? No. But the surfer may master some inconvenient fear responses when on the board. Mastery of self, having to do with personal will, certainly has its place. What aspect of ourselves need we master in order to be capable of free association, mastering what might interfere with a free flow of thought? I ask this question because the book's approach to the fictional "me" is somewhat that of a relational approach--other people teach you that there's a "you," and that folks play politics with what they regard as your acceptable and non-acceptable aspects. Sigmund Freud, in his Civilization and its Discontents, spelled out the inevitable, and obvious (were we not inclined to ignore it for peace of mind) aspect of life: Although we may have been born into this world as a wild genius direct from God, we soon learn that folks would prefer that we were well behaved citizens. Our natural instincts succumb to socialization over time, as we enter the world dependent upon our caregivers and we must pay the price of the ticket. And so, like in the spiritual world view of psychoanalysis, the holy grail, what makes the first question worth asking, lies somewhere in the vicinity of learning the nature of the "real you" by discovering the false things we tell ourselves about ourselves and learning the truth.Perhaps the compassionate element in the 3-Q approach comes from the co-author, Barbara Emrys. She was a co-author with Ruiz on an earlier book, The Toltec Art of Life and Death. Emrys has her own theme as being "an artist of life". The compassionate approach comes in when we realize that we have internalized the judgmental, critical, scolding, love-withholding attitudes of our caretakers, and we need to give ourselves a hug, instead. I think the two approaches can be explored in the context of mindfulness meditation. This particular meditation process, as is the case with some other meditation processes, presents itself as a miniaturization, or simplification, of an ideal approach to life generally, not just the 20 minutes of sitting. Set the intention to be aware of the breathing, AND when becoming aware that attention has drifted, to return focus of attention to the breathing. When you become aware that your attention has wandered, and you return your focus to the breathing, you have fulfilled the definition of mindfulness meditation. One can develop mastery over the response to becoming aware that the attention has wandered, returning to the focus (will power) smoothly and without self-criticism (self-compassion). How long your mind wanders before you become aware of it--that has to do with the development, not of your will power, but of your will, as the awareness of your wandering attention is always present to a certain deep part of yourself, the real self that Ruiz wants you to discover. The ability to free associate, to have the mind flow freely, requires mastery over elements of self-inhibition and self-judgment. The ability to notice and respond to the wandering mind during meditation is something that grows with the will, the real you. The spontaneous reaction to becoming aware that the mind has wandered is important to consider. To be aware of and connected to the "real you" requires a special relationship to love. The ability to work and to love was Sigmund Freud's bottom line in describing ideal mental health. Modest, yet profound, finding relection in a modern Toltec philosophy. To be able to create a simple scaffolding of principles that support a workable philosophy of life is one of Ruiz's wonderful abilities. It is a satisfying experience to explore significant truths dressed in different clothing. It is another dimension of the aesthetic sense to approach truth artfully, as if the artistic expression may be capable of sparking a feeling for truths that ideas alone can't quite scratch.

This writing has transformed my life at a time when the words most needed to be spoken to my soul. Thank you again don Miguel Ruiz!!!

I'm a long time student of don Miguel and of his students who have become Toltec teachers, including especially Barbara Emrys. I love them as people, and their teachings have not merely changed but revolutionized my life. So when I read this book was coming out I ordered it immediately.But when I got it my life was in the midst of crisis and I could not read it with full concentration. It didn't make a whole lot of sense to me at that time.Last week, in a calmer time, I reread it, and realized that it requires full and unmitigated attention. Given that attention it clears up a lot of garbage and points the reader in a direction of personal power, fulfillment, and human effectiveness. It's a great book.The takeaway is that if the message doesn't come through the first time around, hang onto the book and reread it when you've got your stuff in better order. You'll be glad you did.

I’ve read the four agreements more times than I can count and absolutely love it. This book, however, I struggled to get to the end of. Although I did like this book, I didn’t love it. Some great principles were explained which I can appreciate and I took from it the wonderful things explained but it was just a bit harder to follow. All in all, still a nice read!

Just a good book that is relevant in today’s world. I would wish that our political and religious leaders would read it. A book that makes you stop and think. It makes you question your own self and beliefs. I enjoyed it.

Like The Four Agreements, The Three Questions has really given me a wonderful lens through which to examine the thoughts and ideas that make up my “story” on a daily basis. As a result, I’m feeling clearer, lighter, less attached to the story, and more open to the truth. A book I highlighted like crazy, and will read many more times. I’m sure.

Gracias por siempre brindarnos lo mejor que tiene que ofrecernos con sus libros y a todos lo que participan en su creasion

Don Miguel and Ms. Emrys do a fabulous job of providing the meaning and practice of " Be impeccable with your word." I could have highlighted the entire book.

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Rabu, 02 Oktober 2013

Download Ebook , by Bridget Barton

Download Ebook , by Bridget Barton

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, by Bridget Barton

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Download Ebook , by Bridget Barton

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, by Bridget Barton

Product details

File Size: 2211 KB

Print Length: 391 pages

Simultaneous Device Usage: Unlimited

Publication Date: January 13, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07MCVNCPS

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Amazon Best Sellers Rank:

#1,491 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I’m a pretty forgiving reader. Plot similarities, flat characters, misused words, and schmaltzy endings are to be expected in the genre of historical romance. The problems here exceeded that tenfold. I was annoyed at the action-less and cumbersome style of half the book being characters talking to themselves, both in quotes AND in italics. Make up your mind. Then came the awkward phrasing and the off usage like prepositions at the end of sentences. And yes, the common theme of women being oppressed was approached heavy-handedly, no subtlety. Finally the kicker... the characters changed names. Selina became Rosa at a dinner party. Ophelia falls for Simon but then raves about her love for Thomas. Later Simon is the creepy foil to the hero. The characters didn’t do this like some crazy Shakespeare play. No! The author (s) simply forgot who she was writing about. OMG. hire a freaking editor.:(

The story begins with tension filled pages, rebuke, chastisement and embarrassment. The lead female character, Selina, is twenty years old and has a younger sister, Ophelia, who is sixteen. Selina is an unorthodox young woman who loves to draw in nature more than pursuing singing or piano. She speaks to servants as friends and respects them. However, Selina has a sharp tongue, jumps to conclusions and is quick to anger. She meets Alexander Russell, 6th Baronet of Chesterfield and her life turns upside down. The chemistry between Selina and Alex is undeniable and strong. Selina meets Alex under unusually casual circumstances. They exchange first names only. Alex was exercising his horses when he came upon her. Because Alex was dressed in commoners clothes, Selina mistook him for stable groom. Later at a ball she realized he was the Baronet who lived adjacent to her Aunt Dorothy and Uncle Edmund where her family was staying. Selina immediately became angry at Alex because when they met, he did not tell her he was a baronet. She felt all men with a title were selfish, arrogant and privileged. She disdained titled men. She thought Alex was just like the rest of his class and she felt he lied to her. So, she gave him the cold shoulder and removed herself from him. Alex was indeed perplexed by her. But still he perused her despite their many unfortunate encounters. This is a delightful story full of angst, shock, jealousy, rumors, self-awareness, pity, forgiveness and love. I enjoyed reading it and do recommend it.

We can be contrary, one day, silly the next, and not bearable the next.....For me the best authors have had a vast array of folks they have learned from. Having lived in several countries I feel very lucky for the experiences. And the most important thing I learned, starting at 16 years in boarding school in Montraux. And having students from all over the world. What did I learn? We all hurt, we all need friendships, and love and we make out of our lives. I think authors, the ones who create wonderful characters are my favorites.Ms Barton is a delight, I have never felt that I didn't get a fun story, well written and I always look for new books.We who stalk the book filled halls of Amazon are are lucky. I live away in a tiny town so I am so grateful to be able to read. no Library and tv? Not so loved. So thank you Ms Barton.....You and 3 or 4 others are life savers! Thank you for your books, your humor and brilliant brain. Thank you so much!!!

Bridget Barton retains her crown as the Queen of “Clean and Sweet” Regency. And, as usual, her main lady is a little less than sweet.Selina has a brain, and dreams. She doesn’t care much for the trappings that come along with her class. Most of all, she has it set in her head that any man she is expected to marry isn’t worth anything. Enter Alex. He too hasn’t much use for the way he is to present himself, least of all the fact that he is expected to produce an heir. A close second is the way the women come after him for his title and nothing else. There are immediate sparks when the two meet. Though they almost pale in comparison to Selina’s reaction when she finds out that Alex isn’t a commoner, but a nobleman. How will these two come to their senses, and come together, the way they truly want to?Bridget Barton always takes you through the paces with her books. Selina is headstrong, almost to the point of silliness. That doesn’t keep Alex from pursuing her, and figuring her out. You watch the characters grow, and learn, with a supporting cast that explains so much as to why they are who they are. You’ll enjoy this one.

Selina's parents and aunt were hoping to find a match for this carefree, artist who was a little too outspoken and intelligent during her first two unsuccessful seasons. So attempts are made at her aunt's home where they are staying for a while. However, she meets a Baronet on her own while out sketching and believes him to be a kindly commoner out walking horses for the Baron. After humiliation of finding out he merely did not correct her reasonable unexpressed presumption, she is angry at him and pushes him away (as her aunt wished anyway), though her heart wishes otherwise. He is determined to see if she is right for him due to the electricity between them. She is different and he likes that! Then, her sister Ophelia meets the perfect man for her. Why couldn't life be so simple for outspoken Selina. This was a fun read with great characters and they share a deep appreciation of their servants and respect for all people and were ever so kind and lovable, delightful people. Enjoyed this read a lot!

What's going on here? This book is a mess. The Editor's name is not listed, I suspect that the author didn't even re-read manuscript sending this for publication. I am completely appalled that, in order to write this review, in fairness, I felt that I had to read the whole "book". What an insult to the reading public.

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